What’s in Spoon Knife 3?

Spoon Knife is Autonomous Press’ annual anthology of original stories by queer and/or neurodivergent authors. Spoon Knife accepts short fiction of any genre, plus memoir and the occasional poem. Each volume of Spoon Knife has a different team of editors and a different theme.

The 2018 Autumn Equinox saw the publication of Spoon Knife 3: Incursions, edited by Nick Walker and Andrew M. Reichart (who are also the co-creators of the Weird Luck stories, a growing body of interconnected speculative fiction tales).

So, what’s in Spoon Knife 3? Twenty unique and wonderfully strange pieces by twenty authors representing three generations of queer and neurodivergent literary talent. Let’s take a walk through the table of contents and see what each piece is about…

The Bob Show, by Jeff Baker (fiction)
A fugitive hiding out at his eccentric brother’s home discovers his brother’s TV picks up shows from another reality.

Future Dive, by Alyssa Gonzalez (fiction)
A hilarious but all-too-plausible glimpse of a future dominated by the gig economy.

9-5, by Eliza Redwood (poetry)
A short poem about soul-deadening office jobs.

A Twentieth-Century Comedy of Manners, by Old Cutter John (memoir)
An autistic software designer creates an unintentional disturbance in a corporate hierarchy.

Only Strawberries Don’t Have Fathers, by Judy Grahn (fiction)
Released from a psych ward and hired as a gardner, a sensitive soul becomes witness to the evolving relationships within a family of humans and a family of cats.

Stag, by RL Mosswood (fiction)
A depressed man is revitalized by an erotic encounter with the supernatural.

Life on Mars, by B. Allen (memoir)
A childhood suicide attempt leads to a revelation.

Black Dogs, Night Terrors, and Lights in the Sky, by Sean Craven (memoir)
How do you conduct yourself in the world, when your world is full of monsters and weird visitations?

The Trumpet Sounds, by Alexeigynaix (memoir)
How does one make sense of an encounter with a Mystery too big to fit within the bounds of language and rationality?

Vigilance, by Mike Jung (fiction)
An autistic superhero faces a world-destroying cosmic force.

Spacetime Dialectic, by N.I. Nicholson (poetry)
When you look in the mirror and catch a glimpse of an alternate version of yourself looking back at you, it can lead to some interesting dialogue.

Kill Your Darlings, by Verity Reynolds (fiction)
An alien secret agent, stalking a historical figure in an alternate timeline, learns that her mission has some unforseen complications.

B3: Or, How an Autistic Fixation from the Past Blew the Lid Off My Future, by Andee Joyce (memoir)
A fascination with an old Top 40 song sparks a life-changing creative awakening.

Who Is Allowed? by Alyssa Hillary (poetry)
Being autistic in academia means navigating a system that’s determined to exclude you.

Unworldly Love, by Steve Silberman (memoir)
A gay writer’s memoir of sexual awakening.

The New World, by Melanie Bell (fiction)
In a utopian culture of scholars without gender or sexuality, the gender and sexuality of outsiders becomes a controversial topic of study.

Heat Producing Entities, by Dora M. Raymaker (fiction)
Two young thieves from very different backgrounds have to figure out how to deal with each other when they both go after the same item.

Space Pirate Stowaway, by Andrew M. Reichart (fiction)
A powerful being trapped in the form of a cat stows away on a pirate ship that travels between universes — but there’s something else on board that’s far more dangerous.

The Scrape of Tooth on Bone, by Ada Hoffmann (fiction)
A timid lesbian robot mechanic who can channel the spirits of the dead gets caught up in the deadly intrigues of rival paleontologists.

Waiting for the Zeppelins, by Nick Walker (fiction)
Agent Smiley of the Reality Patrol finds himself in dire peril when his plan to stop Sigmund Freud from destroying London goes awry.

You can order Spoon Knife 3 direct from Autonomous Press, or from Amazon, or through your local bookstore.

 

Author Interview: Ada Hoffmann Discusses Monsters in My Mind and Other Projects

We sat down with Ada Hoffmann, author of Monsters in My Mind, to talk about speculative fiction, the state of the writing world, and what’s next.

AutPress: Why MONSTERS IN MY MIND? Why speculative fiction generally, and why this collection?

Ada: I grew up around speculative fiction. It’s a childhood love, and one of those things that was always there. Literary realism never felt grounded to me – it felt small, stifled. Consciously cut off from all the realms of imagination that could have been.

I’ve been publishing short speculative fiction and poetry since 2010. Short fiction is a delight to me – I probably read more of it than novels. I’ve also written a lot, and I wanted to make that writing tangible. A physical object that I could hold in my hands and give to people.

I organized MONSTERS IN MY MIND around a loose theme appropriate to NeuroQueer Books – the theme of being different, monstrous, or out of place, and hoping to somehow be accepted that way. I grouped stories and poems so that they moved through different ways of engaging with that theme in a way that felt, in a very abstract sense, like its own story. A few short works I loved didn’t make the cut, not because there was anything wrong with them, but because they didn’t fit into that “story”. Maybe they’ll go into a future book!

As for the title, I don’t remember where I got it, but it happened fairly late in production. I’m not the first person to have used the phrase. If you want to assume cryptamnesia, then it probably comes from the song “Happy Hurts,” by Icon For Hire.

AutPress: What are some of your favorite sources of inspiration? What/Who else do you read or recommend?

Ada: Sometimes ideas just happen. It isn’t glamorous. “You Have to Follow the Rules” was based on a dream that my friend A. Merc Rustad had. “The Chartreuse Monster” came partly from a random number generator. “Centipede Girl” was inspired by an actual centipede that crawled on my keyboard, and “The Mother of All Squid Builds a Library” was based on a list of tropes that another friend of mine liked. One of my best ways to generate ideas is by going to a classical music concert, where I’m forced to sit in a chair for two hours, listen to pleasant noises, and let my mind wander. And my go-to method for coming up with more poetry is just to binge-read any poetry at hand until my mind starts automatically arranging its thoughts into verse.

In terms of other authors who inspire me, Catherynne M. Valente’s collection “A Guide to Folktales in Fragile Dialects” was the reason I got serious about poetry. Meda Kahn’s short story “Difference of Opinion” pushed me to be better and braver about autism representation. I would love one day to build worlds like China Miéville, develop characters like Lois McMaster Bujold, dispense careful wisdom like Rose Lemberg, build up a sense of scale like Robert Charles Wilson, quip and twist the plot like Joss Whedon on a good day, and tap into the depths of my id like Tanith Lee. Anybody wanting more of the queer and neurodivergent themes from MONSTERS IN MY MIND should check out A. Merc Rustad and Bogi Takács, among many others.

AutPress: What’s the most unexpected thing that happened while you were working on this collection (or any particular part of it)?

Ada: Once I had all the stories, putting the collection together was pretty straightforward. Though – one unexpected thing that happened while the collection came together was that I landed an agent for a novel I’d written. That was very distracting, in a good way.

[Full Disclosure: The interviewer was a beta reader for this novel, which fully deserves all the love an agent can give it.]

AutPress: Where is spec fic/dark fic/weird fiction headed? What does it need more of?

Ada: I don’t think spec fic will ever go in just one direction. It’s a big tent with a huge number of things going on.

It’s clear, though, that at least some parts of spec fic are moving towards more diversity and better representation. There’s an increased interest in diverse characters, in diverse authors, in concepts like #ownvoices – and also in the range of new ideas, not just writing about themselves, that marginalized authors bring to the table. I’m really enjoying all the recent counter-Lovecraftian fiction, for instance. Silvia Moreno-Garcia’s Innsmouth Free Press was doing this for years, but now it’s been joined by some higher-profile friends: Ruthanna Emrys’s “Innsmouth Legacy” series and Victor LaValle’s “The Ballad of Black Tom”, to name two.

Of course, this trend comes with pushback; you don’t need me to tell you the story of the Sad Puppies. It would be naive, especially in 2017, to say that things will clearly keep changing for the better. But we’ll see what happens.

AutPress: What are you currently working on, and what’s next?

Ada: Well, my agent is shopping my novel around, and I’m replenishing my store of short fiction and poetry. I’ve written some really daring short pieces that I’m very excited to share when they find a home. Two collaborations that I love are coming out in the next year or so – one with Jacqueline Flay in Persistent Visions, the other with A. Merc Rustad in Lightspeed. I’m also working on a collection of dinosaur poetry called “Million-Year Elegies”. That’s about 75% done, and a few early pieces from that series are already published online, if you want a teaser. Of course, I’m also still working on my PhD research, in which I teach computers to write their own poetry. My biggest challenge is finding time for all these projects and book promo, too!

Visit Ada Hoffmann online at http://www.ada-hoffmann.com. Pick up a copy of Monsters in My Mind on Amazon or via the AutPress store.

Mental Monsters and Snapshot Mindscapes

Short fiction has gotten the short end of the stick for much of its existence, despite the fact that it is perennially popular with critics and prize committees. While there are a number of short story artists who have forged a career in the form, many publishers shy away from volumes of short tales unless they come from an established writer. Fans of weird fiction, slipstream, speculative fiction, and horror realize the problem with this, though. So do fans. In an age where a number of writers are choosing to make their careers in short ebooks first, publishers need to sit up and take notice.

That’s why Autonomous Press has worked to invest in poetry and short fiction. We want to help a large number of fresh new voices find their audiences, and we want to connect the ways that readers and writers interact in this digital age to the distribution that makes it accessible to a wider reading community. That’s why we started the Spoon Knife series, and it’s why we started cultivating short works from individual artists.

We’re still just starting out as a company, but we have already managed to bring a couple of wonderful books by individual writers to the market, including Fable the Poet’s initially self-published chapbook. Fable is currently the poet laureate of his hometown, Grand Rapids, Michigan, and his insightful characterization and frank discussion of topics like trauma, race, and mental health provide readers and listeners with a unique point of view that flows like music.

For those in traditional genres looking to devour short tales that are a little less directly reflective of everyday life, we have Ada Hoffmann’s Monsters in My Mind, which brings together over 40 strange tales that span horror, fantasy, science fiction, speculative fiction, and more. These are never before published works, and you can find more notes about each one on her blog.

Whether you are looking into our anthology series, the collection of work curated through Barking Sycamores, or these individually authored books, you are going to find that AutPress has taken steps to make NeuroQueer Books a place for unique points of view. We’re looking forward to bringing you more of that in the new year with additional volumes of Barking Sycamores and Spoon Knife. Until then, check out Ada’s book, as well as the new novel by Verity Reynolds.

What to Read to Get Into the Halloween Spirit

Tired of the ordinary Halloween horror film fest? It’s time to get weird.

“Weird fiction” is a genre that blends the macabre with the supernatural, the mythical, the scientific…and the just plain weird. Since the Halloween season is a chance to let your imagination roam, don’t limit it to the usual ghosts, goblins, and axe-wielding murderers. Here’s what to read to get weird.

Monsters in My Mind

Ada Hoffmann’s short fiction and poetry anthology, Monsters in My Mind, appears in mid-October from NeuroQueer Books. Ada is a master of the weird, and the pieces in this collection encompass everything from mermaids to extradimensional worlds to sentient AI. The format makes them great for a quick dose of weirdness in your day – but once you pick this anthology up, good luck putting it down.

Weird Luck

Part of weird fiction’s weirdness is its refusal to stay politely within the bounds of any one format. The Weird Luck universe is an example: there’s a webcomic, a serialized novel on Patreon, multiple short stories hidden in various publications, and multiple novels, which will be re-released shortly. The Weird Luck universe has many entry points, and it’s a delight no matter which way you look at it.

Spoon Knife

Some folks read weird literature to step outside their daily existence and sense of self; others read it to step further in. If you’re in the latter category, the Spoon Knife anthology series is your weird fiction home. Blending fiction, memoir, and poetry with themes ranging from the technological to the mythic, the series just keeps getting weirder…and, for some readers, more relatable. Spoon Knife 3: Incursions comes out in 2018, so spend this fall getting caught up!

Whether your house is already decked out in skeletons and pumpkin spice or you’re still trying to decide what to do for Halloween, some weird reading can get you into the spirit and provide a cozy hobby for the fall.